A Desolate Getaway: Summerwater Falls Flat
Channel 4's latest offering, Summerwater, is a bleak drama that, much like its titular setting, fails to leave a lasting impression. The show's central premise – six lochside cabins containing uniquely unhappy households on holiday – has all the makings of a compelling narrative, but in execution, it's a mess.
The series begins with a jarring interview by the police, which sets the tone for an anthology-style drama that fails to replicate the detailed inner monologues that made author Sarah Moss's novel a hit. Instead, Summerwater resorts to vague allusions and shots of Scottish landscapes to create an unsettling atmosphere, but at the expense of actual storytelling.
The main character, Justine (Valene Kane), is introduced as a wife struggling with her husband Steve (Daniel Rigby) and their emotionally inadequate kids. However, her backstory is reduced to simplistic tropes, leaving viewers wondering why she's behaving in such a manner. Her obsessive long runs are meant to be poignant but come across as shallow attempts at character development.
As the series progresses, we're introduced to more characters – an empty-nester couple (Dougray Scott and Shirley Henderson), a teenage boy (Calum Ross) struggling with rejection, and an Eastern European couple (Anna Prochniak and Arnas Fedaravicius) who are discriminated against by their British employers. Each character's tale is equally unsatisfying, relying on melodrama rather than genuine narrative substance.
The show's attempt to incorporate elements from other genres, like mind-horror and supernatural themes, falls flat. The mysterious dilapidated hut in the woods, meant to be a key plot point, feels more like a convenient plot device than an integral part of the story.
Ultimately, Summerwater is a drama that leaves you wanting to make a quick exit. With its meandering narrative, shallow character development, and lackluster storytelling, it's a holiday getaway that feels like a bad trip.
Channel 4's latest offering, Summerwater, is a bleak drama that, much like its titular setting, fails to leave a lasting impression. The show's central premise – six lochside cabins containing uniquely unhappy households on holiday – has all the makings of a compelling narrative, but in execution, it's a mess.
The series begins with a jarring interview by the police, which sets the tone for an anthology-style drama that fails to replicate the detailed inner monologues that made author Sarah Moss's novel a hit. Instead, Summerwater resorts to vague allusions and shots of Scottish landscapes to create an unsettling atmosphere, but at the expense of actual storytelling.
The main character, Justine (Valene Kane), is introduced as a wife struggling with her husband Steve (Daniel Rigby) and their emotionally inadequate kids. However, her backstory is reduced to simplistic tropes, leaving viewers wondering why she's behaving in such a manner. Her obsessive long runs are meant to be poignant but come across as shallow attempts at character development.
As the series progresses, we're introduced to more characters – an empty-nester couple (Dougray Scott and Shirley Henderson), a teenage boy (Calum Ross) struggling with rejection, and an Eastern European couple (Anna Prochniak and Arnas Fedaravicius) who are discriminated against by their British employers. Each character's tale is equally unsatisfying, relying on melodrama rather than genuine narrative substance.
The show's attempt to incorporate elements from other genres, like mind-horror and supernatural themes, falls flat. The mysterious dilapidated hut in the woods, meant to be a key plot point, feels more like a convenient plot device than an integral part of the story.
Ultimately, Summerwater is a drama that leaves you wanting to make a quick exit. With its meandering narrative, shallow character development, and lackluster storytelling, it's a holiday getaway that feels like a bad trip.