Netflix's "Dahmer - Monster: The Jeffrey Dahmer Story" has drawn widespread attention for its unflinching portrayal of the notorious serial killer, but beneath its gruesome surface lies a more insidious narrative that undermines its own mission. By centering on Evan Peters' portrayal of Dahmer and replete with cinematic flair, Ryan Murphy's brand is prioritized over the true purpose of the show: to shed light on systemic injustice and the devastating consequences it has for marginalized communities.
Murphy's affinity for sensationalizing crimes in his anthology series, as seen in "The People v. O.J. Simpson" and "American Crime Story", is on full display here. While the Dahmer case does serve as a cautionary tale about prejudicial policing and government inequities, the show's primary focus appears to be on humanizing its titular character, perpetuating the notion that understanding the motivations behind such heinous crimes can somehow justify or explain them.
The narrative often takes a step back to examine Peters' Dahmer, rather than delving deeper into the lives of his victims and their families. This approach is reminiscent of previous true crime adaptations, which frequently prioritize sensationalizing the killer over exploring the impact on those affected by the crime. The result can be disconcerting, as evidenced by social media reactions from some family members of Dahmer's victims who feel that their loved ones' experiences were trivialized or exploited for entertainment value.
The disconnect between "Monster"'s stated goals and its execution is striking. In theory, the show aims to revitalize attention on the systemic issues faced by marginalized communities, particularly Black men and women. However, this aim often gets lost in the midst of graphic content, melodramatic plot twists, and an overemphasis on Dahmer's psychological profile.
A closer examination of "Monster" reveals that it perpetuates some of the same problematic tendencies as other true crime narratives. Glenda Cleveland (Niecy Nash), a Black woman who lives next door to Dahmer, is often reduced to a frustrated bystander, with her concerns and warnings frequently ignored by the authorities. This portrayal is strikingly familiar, echoing similar tropes in films like "The Silence of the Lambs", where the lead character's frustration with the ineptitude of law enforcement serves as a backdrop for the investigation.
Ultimately, while "Dahmer - Monster: The Jeffrey Dahmer Story" does provide a visceral and unsettling portrayal of one of history's most infamous serial killers, it risks undermining its own purpose in the process. By prioritizing Peters' portrayal of Dahmer over the experiences of those affected by his crimes, the show perpetuates a troubling narrative that can be seen as exploitative and insensitive to the true victims and their families.
Murphy's affinity for sensationalizing crimes in his anthology series, as seen in "The People v. O.J. Simpson" and "American Crime Story", is on full display here. While the Dahmer case does serve as a cautionary tale about prejudicial policing and government inequities, the show's primary focus appears to be on humanizing its titular character, perpetuating the notion that understanding the motivations behind such heinous crimes can somehow justify or explain them.
The narrative often takes a step back to examine Peters' Dahmer, rather than delving deeper into the lives of his victims and their families. This approach is reminiscent of previous true crime adaptations, which frequently prioritize sensationalizing the killer over exploring the impact on those affected by the crime. The result can be disconcerting, as evidenced by social media reactions from some family members of Dahmer's victims who feel that their loved ones' experiences were trivialized or exploited for entertainment value.
The disconnect between "Monster"'s stated goals and its execution is striking. In theory, the show aims to revitalize attention on the systemic issues faced by marginalized communities, particularly Black men and women. However, this aim often gets lost in the midst of graphic content, melodramatic plot twists, and an overemphasis on Dahmer's psychological profile.
A closer examination of "Monster" reveals that it perpetuates some of the same problematic tendencies as other true crime narratives. Glenda Cleveland (Niecy Nash), a Black woman who lives next door to Dahmer, is often reduced to a frustrated bystander, with her concerns and warnings frequently ignored by the authorities. This portrayal is strikingly familiar, echoing similar tropes in films like "The Silence of the Lambs", where the lead character's frustration with the ineptitude of law enforcement serves as a backdrop for the investigation.
Ultimately, while "Dahmer - Monster: The Jeffrey Dahmer Story" does provide a visceral and unsettling portrayal of one of history's most infamous serial killers, it risks undermining its own purpose in the process. By prioritizing Peters' portrayal of Dahmer over the experiences of those affected by his crimes, the show perpetuates a troubling narrative that can be seen as exploitative and insensitive to the true victims and their families.