Iconic Photographer Behind 'Black is Beautiful' Movement Passes Away at 85
Kwame Brathwaite, a trailblazing activist and photographer whose work played a pivotal role in shaping the aesthetics of the "Black is Beautiful" movement of the 1960s, has passed away at the age of 85. Born in Brooklyn in 1938 to Barbadian immigrants, Brathwaite's family moved frequently during his childhood before settling in Harlem.
The turning point that drew him into photography came in August 1955, when he encountered David Jackson's haunting photograph of Emmett Till in his open casket. This experience profoundly influenced Brathwaite's approach to capturing the essence and spirit of Black culture through his lens. By the early 1960s, alongside his co-founders at African Jazz Arts Society and Studios (AJASS), Brathwaite began using photography as a powerful tool to challenge and redefine beauty standards.
Through his work with AJASS, Brathwaite came up with the concept of the Grandassa Models, young Black women he would photograph, celebrating and accentuating their features. The first major institutional retrospective of Brathwaite's work was organized by Aperture Foundation in 2019 and toured across the United States.
Over the years, Brathwaite went on to document jazz legends such as Miles Davis, John Coltrane, Thelonious Monk, and many others. His focus shifted to other forms of popular Black music by the 1970s, including photographing Nina Simone, Stevie Wonder, Sly and the Family Stone, Bob Marley, and more.
Throughout his career, Brathwaite continued to explore and develop his approach to photography, maintaining a strong commitment to the "Black is Beautiful" ethos. He recently photographed artist and stylist Joanne Petit-Frère for The New Yorker in 2018 and was set to join Philip Martin Gallery's roster in Los Angeles.
A separate exhibition, "Kwame Brathwaite: Things Well Worth Waiting For," is currently on view at the Art Institute of Chicago until July 24.
Kwame Brathwaite, a trailblazing activist and photographer whose work played a pivotal role in shaping the aesthetics of the "Black is Beautiful" movement of the 1960s, has passed away at the age of 85. Born in Brooklyn in 1938 to Barbadian immigrants, Brathwaite's family moved frequently during his childhood before settling in Harlem.
The turning point that drew him into photography came in August 1955, when he encountered David Jackson's haunting photograph of Emmett Till in his open casket. This experience profoundly influenced Brathwaite's approach to capturing the essence and spirit of Black culture through his lens. By the early 1960s, alongside his co-founders at African Jazz Arts Society and Studios (AJASS), Brathwaite began using photography as a powerful tool to challenge and redefine beauty standards.
Through his work with AJASS, Brathwaite came up with the concept of the Grandassa Models, young Black women he would photograph, celebrating and accentuating their features. The first major institutional retrospective of Brathwaite's work was organized by Aperture Foundation in 2019 and toured across the United States.
Over the years, Brathwaite went on to document jazz legends such as Miles Davis, John Coltrane, Thelonious Monk, and many others. His focus shifted to other forms of popular Black music by the 1970s, including photographing Nina Simone, Stevie Wonder, Sly and the Family Stone, Bob Marley, and more.
Throughout his career, Brathwaite continued to explore and develop his approach to photography, maintaining a strong commitment to the "Black is Beautiful" ethos. He recently photographed artist and stylist Joanne Petit-Frère for The New Yorker in 2018 and was set to join Philip Martin Gallery's roster in Los Angeles.
A separate exhibition, "Kwame Brathwaite: Things Well Worth Waiting For," is currently on view at the Art Institute of Chicago until July 24.