Patti Smith's life story is a sprawling, dreamlike journey that spans decades and continents - a true odyssey of art, activism, and self-discovery. At its core, this documentary, "Dream of Life," is an intimate portrait of the 61-year-old rock legend, Patti Smith, who has always defied categorization and convention.
From her rural New Jersey roots to her emergence as a poet and musician in 1970s New York City, Smith's life has been marked by a series of bold choices and innovative collaborations. Her relationship with Robert Mapplethorpe was particularly pivotal, one that blurred the lines between artist and muse, friend and partner.
The film offers a chronological voyage through Smith's life, featuring concert footage from her 2005 London performance of "Horses," as well as interviews and scenes shot in various locations around the world. But it's not always clear where Smith is or what she's doing - a disorienting whirlwind that captures the passage of time and the fluidity of her creative journey.
One notable absence from the film is its treatment of Smith's activist career, which has been an important aspect of her recent life. Her campaign for Ralph Nader in 2000 is barely mentioned, and it's clear that Sebring may have deliberately avoided this aspect of her story to keep the focus on her artistic pursuits.
Smith's legacy as a feminist trailblazer is undeniable - she was one of the first women to rock with big egos and sexual adventures, and her albums "Horses" and "Radio Ethiopia" remain among the rare hybrids of rock and poetry. Yet, despite being at the center of some of the most iconic moments in 1970s counterculture, few details from this era are visible in the film, except through reference and inference.
One thing is certain: Patti Smith has always been a true original - an inventor and precursor of punk, who couldn't be contained by any movement or ethos. Her greatest triumph was not being a rock revolutionary, but living life on her own terms, making it up as she went along in the great tradition of all those dead white male artists she worshiped.
Ultimately, "Patti Smith: Dream of Life" is an intermittently haunting and beautiful meditation on aging and mortality - a testament to the enduring power of art and creativity. While it may not tell everyone about Patti Smith's journey, it's clear that her life has been one of bold experimentation and joyful self-expression. As she herself would say, "peace, peace! he is not dead, he doth not sleep - he hath awakened from the dream of life."
From her rural New Jersey roots to her emergence as a poet and musician in 1970s New York City, Smith's life has been marked by a series of bold choices and innovative collaborations. Her relationship with Robert Mapplethorpe was particularly pivotal, one that blurred the lines between artist and muse, friend and partner.
The film offers a chronological voyage through Smith's life, featuring concert footage from her 2005 London performance of "Horses," as well as interviews and scenes shot in various locations around the world. But it's not always clear where Smith is or what she's doing - a disorienting whirlwind that captures the passage of time and the fluidity of her creative journey.
One notable absence from the film is its treatment of Smith's activist career, which has been an important aspect of her recent life. Her campaign for Ralph Nader in 2000 is barely mentioned, and it's clear that Sebring may have deliberately avoided this aspect of her story to keep the focus on her artistic pursuits.
Smith's legacy as a feminist trailblazer is undeniable - she was one of the first women to rock with big egos and sexual adventures, and her albums "Horses" and "Radio Ethiopia" remain among the rare hybrids of rock and poetry. Yet, despite being at the center of some of the most iconic moments in 1970s counterculture, few details from this era are visible in the film, except through reference and inference.
One thing is certain: Patti Smith has always been a true original - an inventor and precursor of punk, who couldn't be contained by any movement or ethos. Her greatest triumph was not being a rock revolutionary, but living life on her own terms, making it up as she went along in the great tradition of all those dead white male artists she worshiped.
Ultimately, "Patti Smith: Dream of Life" is an intermittently haunting and beautiful meditation on aging and mortality - a testament to the enduring power of art and creativity. While it may not tell everyone about Patti Smith's journey, it's clear that her life has been one of bold experimentation and joyful self-expression. As she herself would say, "peace, peace! he is not dead, he doth not sleep - he hath awakened from the dream of life."