Brazilian guitarist Fabiano do Nascimento is back with his latest album, Vila, which sees him teaming up with the 16-piece Vittor Santos Orquestra. The result is a sprawling, orchestral composition that showcases Nascimento's versatility as a player.
Nascimento's sound is undeniably muscular and expansive, effortlessly conjuring the image of four hands on six strings. His previous output has been equally diverse, ranging from tender duets with saxophonist Sam Gendel to electronic-infused collaborations like Aquàticos. On Vila, however, Nascimento leans into orchestral composition, allowing each track to unfold in its own unique way.
The album's 11 tracks feature a range of moods and textures, from the sprightly O Tempo (Foi o Meu Mestre), which sees Nascimento switch between double-time swing and half-time sway, to the lush, bossa-influenced orchestrations of Valsa and Floresta Dos Sonhos. Conductor Vittor Santos's arrangements are reminiscent of fellow countryman Arthur Verocai, producing enveloping harmonies that luxuriate in gentle viola and violin lines.
While not every moment reaches dramatic or explosive potential, the album never falls flat. Nascimento is a master of dexterity, effortlessly shifting between metallic picking and warm strumming on his guitar. The result is imaginative mood music that, even without an attention-grabbing crescendo or solo, still manages to move listeners with its soft melody.
Fans of world music will find plenty to love in Vila, particularly those who appreciate the rich textures of bossa nova and Afrobeat. With Nascimento's virtuosic guitar work at the forefront, this album is a testament to his skill as a composer and performer.
Nascimento's sound is undeniably muscular and expansive, effortlessly conjuring the image of four hands on six strings. His previous output has been equally diverse, ranging from tender duets with saxophonist Sam Gendel to electronic-infused collaborations like Aquàticos. On Vila, however, Nascimento leans into orchestral composition, allowing each track to unfold in its own unique way.
The album's 11 tracks feature a range of moods and textures, from the sprightly O Tempo (Foi o Meu Mestre), which sees Nascimento switch between double-time swing and half-time sway, to the lush, bossa-influenced orchestrations of Valsa and Floresta Dos Sonhos. Conductor Vittor Santos's arrangements are reminiscent of fellow countryman Arthur Verocai, producing enveloping harmonies that luxuriate in gentle viola and violin lines.
While not every moment reaches dramatic or explosive potential, the album never falls flat. Nascimento is a master of dexterity, effortlessly shifting between metallic picking and warm strumming on his guitar. The result is imaginative mood music that, even without an attention-grabbing crescendo or solo, still manages to move listeners with its soft melody.
Fans of world music will find plenty to love in Vila, particularly those who appreciate the rich textures of bossa nova and Afrobeat. With Nascimento's virtuosic guitar work at the forefront, this album is a testament to his skill as a composer and performer.
- he always brings the house down with those sick skills! I mean, have you listened to Vila? The way he weaves together different styles and genres is pure magic 
. It's like he's having a conversation with his instrument, taking it on this epic journey of sound 
. And that orchestral arrangement by Vittor Santos is like the icing on the cake 
- it's like they're serving up a plate of Afro-funk bossa nova goodness 
. I'm totally obsessed with this album, it's like he's speaking directly to my soul 
11 tracks on Vila is just too much for me. Can't they just chill out with like 5-6 good songs or something? I mean I love Fabiano do Nascimento's guitar skills as much as the next person, but can we please have a more concise listening experience? 
Fabiano do Nascimento just dropped a new album that's like the perfect Netflix show: 11 episodes, some are wild, some are chill, but you'll still be hooked till the end 
. His guitar work is insane, like he's playing with six hands (or something) and it's both beautiful and exhausting to listen to 
. The orchestral arrangements on this album are so lush and rich, I can already imagine sipping caipirinhas by the pool while vibing out to "Vila" 
. Not every song is a game-changer, but who needs explosive moments when you've got vibes like these? 
it's really good! he teams up with this 16-piece orchestra and it sounds amazing 
if you're into world music, especially bossa nova and afrobeat, you'll def enjoy vila 
. The way he combines classical and folk influences is genius, reminds me of our school's annual cultural festival where we get to perform traditional dances 
. Nascimento's guitar skills are insane, I wish I could shred like that on my own instrument 
. Anyway, if you're into world music or just need some relaxing tunes, Vila is a must-listen 
. What I'd love to see is more collaborations with other musicians, especially those from different genres 
. Overall, Vila sounds like an album that would be perfect for relaxing and just letting the music take you away 
.
! The way he blends different moods and textures on Vila is pure genius 
. I mean, who wouldn't want to groove to double-time swing and half-time sway at the same time? 
But seriously, it's amazing how Nascimento can switch between metallic picking and warm strumming so effortlessly 
. I'm OBSESSED with the bossa nova vibes on some of these tracks - it's like a whole different world! 
! The way he combines orchestral composition with his signature guitar style is pure genius 
The vibes are always on point, from the sprightly O Tempo to the lush bossa-influenced orchestrations of Valsa and Floresta Dos Sonhos. Nascimento's dexterity on guitar is insane 
. I'm already listening to this album on repeat 
. I mean, have you heard the instrumentation? It's like they brought together a whole orchestra just for him! 16-piece band? That's some serious connections, if you ask me... What's really going on here? Is it just a coincidence that he's teaming up with conductor Vittor Santos, or is there more to it? I'm not buying the "musical collaboration" story. There's something more sinister at play, mark my words 
he's got such control over his sound and can make the most delicate melodies or explosive riffs with ease 
. I love how he blends different styles and moods on each track, it's so diverse and exciting 
!