Donald Trump's plans for a new bulletproof ballroom at the White House are an affront to the very fabric of American democracy and architecture. The proposed $250 million structure, designed by James McCrery, founder of Washington-based McCrery Architects, promises to be one of the most grandiose White House projects in over a century.
The new ballroom will boast an aircraft-hangar-like design with gilded Corinthian columns, drooping gold chandeliers, and a coffered ceiling reminiscent of ancient Roman architecture. It's a vision that would make even the great Emperor Nero proud. The opulent space is intended to host lavish parties for up to 650 guests, providing an epitome of Trump's penchant for grandeur.
The project comes as part of Trump's broader efforts to reshape the White House and American architecture in his image. In 2020, he made headlines by patio-fying the Rose Garden, and now he's planning a triumphal arch across the Potomac river from the Lincoln Memorial, complete with a gilded, winged goddess of victory. These moves are emblematic of Trump's style edicts and building bombast.
Critics, including the American Institute of Architects (AIA), warn that these efforts undermine local communities' control over design preferences, imposing an imperial aesthetic that stifles creativity and freedom in federal architecture. The AIA has expressed "extreme concern" about the potential for bureaucratic hurdles and the erosion of design freedom.
While Trump's experience as a developer may have taught him how to push boundaries, his fetishization of classicism is a predictable move, aimed at establishing authority and undermining established elites β including those in architecture. As historian Daniel Abramson notes, "It gives Trump a narrative of authority and tradition."
Trump's actions are an affront to the very principles of democracy and civic design that America was founded upon. The White House should be a symbol of democracy, not a display of authoritarian grandeur. The proposed ballroom and triumphal arch projects are mere manifestations of a broader pattern of self-aggrandizement and disregard for democratic values.
It's time for Americans to take a stand against this megalomaniacal vision of Trump's. We must reclaim our national landmarks as symbols of civic pride, not indulgent displays of personal opulence. As we move forward in this tumultuous era, it's crucial that we prioritize architecture and design that reflects American values of inclusivity, diversity, and democracy β not the retrograde nostalgia of a bygone imperial era.
The new ballroom will boast an aircraft-hangar-like design with gilded Corinthian columns, drooping gold chandeliers, and a coffered ceiling reminiscent of ancient Roman architecture. It's a vision that would make even the great Emperor Nero proud. The opulent space is intended to host lavish parties for up to 650 guests, providing an epitome of Trump's penchant for grandeur.
The project comes as part of Trump's broader efforts to reshape the White House and American architecture in his image. In 2020, he made headlines by patio-fying the Rose Garden, and now he's planning a triumphal arch across the Potomac river from the Lincoln Memorial, complete with a gilded, winged goddess of victory. These moves are emblematic of Trump's style edicts and building bombast.
Critics, including the American Institute of Architects (AIA), warn that these efforts undermine local communities' control over design preferences, imposing an imperial aesthetic that stifles creativity and freedom in federal architecture. The AIA has expressed "extreme concern" about the potential for bureaucratic hurdles and the erosion of design freedom.
While Trump's experience as a developer may have taught him how to push boundaries, his fetishization of classicism is a predictable move, aimed at establishing authority and undermining established elites β including those in architecture. As historian Daniel Abramson notes, "It gives Trump a narrative of authority and tradition."
Trump's actions are an affront to the very principles of democracy and civic design that America was founded upon. The White House should be a symbol of democracy, not a display of authoritarian grandeur. The proposed ballroom and triumphal arch projects are mere manifestations of a broader pattern of self-aggrandizement and disregard for democratic values.
It's time for Americans to take a stand against this megalomaniacal vision of Trump's. We must reclaim our national landmarks as symbols of civic pride, not indulgent displays of personal opulence. As we move forward in this tumultuous era, it's crucial that we prioritize architecture and design that reflects American values of inclusivity, diversity, and democracy β not the retrograde nostalgia of a bygone imperial era.