Elizabeth McCracken's A Long Game is a refreshingly subversive take on the traditional craft book. The author, a novelist and memoirist who has taught at the prestigious Iowa Writers' Workshop, sets out to shake off the notion that writing can be reduced to a set of rules and formulas. In fact, she appears to revel in the messy, unpredictable nature of creative expression.
McCracken's approach is unapologetically provocative, often incorporating elements of self-deprecation and irreverence that are guaranteed to ruffle feathers among writers who prefer more conventional advice. Her epigrammatic style, which frequently employs a cheeky tone, can be seen as both refreshing and alienating – like encountering the witty, older sibling who doesn't quite play by the rules.
At its core, A Long Game is an unflinching rejection of the clichéd workshops wisdom that has dominated creative writing pedagogy for decades. McCracken rejects the "show, don't tell" mantra and instead advocates for embracing one's own unique voice and perspective. Her advice on tackling writer's block? Harnessing the power of self-loathing to fuel your creativity – a notion that may inspire some writers to re-examine their approach.
While some readers may find McCracken's forthright attitude disconcerting, it's clear that this book is designed to jolt writers out of their complacency and stimulate them into producing work that truly reflects their individual visions. A Long Game is an unapologetically personal, uncompromising guide to the writing process – one that will resonate with those who crave authenticity and originality in their creative endeavors.
Ultimately, McCracken's book offers a liberating alternative to the oft-repeated workshop platitudes that have come to dominate the literary landscape. By embracing her own idiosyncrasies and refusing to conform to conventional wisdom, she reminds us that writing is an uncharted territory – one that requires courage, experimentation, and above all, a willingness to take risks.
McCracken's approach is unapologetically provocative, often incorporating elements of self-deprecation and irreverence that are guaranteed to ruffle feathers among writers who prefer more conventional advice. Her epigrammatic style, which frequently employs a cheeky tone, can be seen as both refreshing and alienating – like encountering the witty, older sibling who doesn't quite play by the rules.
At its core, A Long Game is an unflinching rejection of the clichéd workshops wisdom that has dominated creative writing pedagogy for decades. McCracken rejects the "show, don't tell" mantra and instead advocates for embracing one's own unique voice and perspective. Her advice on tackling writer's block? Harnessing the power of self-loathing to fuel your creativity – a notion that may inspire some writers to re-examine their approach.
While some readers may find McCracken's forthright attitude disconcerting, it's clear that this book is designed to jolt writers out of their complacency and stimulate them into producing work that truly reflects their individual visions. A Long Game is an unapologetically personal, uncompromising guide to the writing process – one that will resonate with those who crave authenticity and originality in their creative endeavors.
Ultimately, McCracken's book offers a liberating alternative to the oft-repeated workshop platitudes that have come to dominate the literary landscape. By embracing her own idiosyncrasies and refusing to conform to conventional wisdom, she reminds us that writing is an uncharted territory – one that requires courage, experimentation, and above all, a willingness to take risks.