In a recent remake, Yorgos Lanthimos' modern weird film "Bugonia" takes inspiration from the 2003 Korean film "Save the Green Planet". Directed by Jang Joon-hwan, the original's premise informs its Western remake. However, unlike the remake, which lets audiences coast on the promise of another slow-burn oddity, "Save the Green Planet" does not wait to get weird - it gets bizarre from frame one.
The film centers around Lee Byeong-gu, a young man who abducts Kang Man-shik, a top Korean executive, believing he's part of an insidious alien reptilian invasion trying to take over Earth. The abduction is part of a larger conspiracy theory that permeates the story. While the remake amplifies this premise, "Save the Green Planet" does not hold back on its madness - it frontloads its weirdness and declares its brand of environmentalism as less Greta Thunberg and more Giorgio Tsoukalos.
The film centers around Byeong-gu's attempts to extract a confession from Man-shik, whom he believes is part of an alien invasion. The abduction escalates into a series of gruesome experiments in Man-shik's secluded basement torture chamber/film studio. Despite the remake's chaotic and dry-humored tone, "Save the Green Planet" does not shy away from its darker themes - it takes them head-on, revealing layers like an infinite matryoshka doll.
Throughout the film, Jang blends elements of Korean dramas, dark comedies, and conspiracy theories to create a unique narrative. The story oscillates between intense scenes of torture and dark humor, creating a visual synesthesia that blurs mood and meaning. While "Bugonia" delivers some of this chaos, "Save the Green Planet" is more excessive - it is less cynical and more sincere in its environmentalism.
Unlike Western remakes, Jang does not just steal from his source material; he joyfully rips off elements to create something new and wild. This approach makes both films unique despite sharing a similar premise. By mining internet celebrity rumors and spoofsing "2001: A Space Odyssey", Jang creates a story that is both similar and different to the original, offering audiences two distinct takes on this bizarre narrative.
The film centers around Lee Byeong-gu, a young man who abducts Kang Man-shik, a top Korean executive, believing he's part of an insidious alien reptilian invasion trying to take over Earth. The abduction is part of a larger conspiracy theory that permeates the story. While the remake amplifies this premise, "Save the Green Planet" does not hold back on its madness - it frontloads its weirdness and declares its brand of environmentalism as less Greta Thunberg and more Giorgio Tsoukalos.
The film centers around Byeong-gu's attempts to extract a confession from Man-shik, whom he believes is part of an alien invasion. The abduction escalates into a series of gruesome experiments in Man-shik's secluded basement torture chamber/film studio. Despite the remake's chaotic and dry-humored tone, "Save the Green Planet" does not shy away from its darker themes - it takes them head-on, revealing layers like an infinite matryoshka doll.
Throughout the film, Jang blends elements of Korean dramas, dark comedies, and conspiracy theories to create a unique narrative. The story oscillates between intense scenes of torture and dark humor, creating a visual synesthesia that blurs mood and meaning. While "Bugonia" delivers some of this chaos, "Save the Green Planet" is more excessive - it is less cynical and more sincere in its environmentalism.
Unlike Western remakes, Jang does not just steal from his source material; he joyfully rips off elements to create something new and wild. This approach makes both films unique despite sharing a similar premise. By mining internet celebrity rumors and spoofsing "2001: A Space Odyssey", Jang creates a story that is both similar and different to the original, offering audiences two distinct takes on this bizarre narrative.