A Dazzling Glimpse into Australia's Ancient Spirit: "The Stars We Do Not See" at the National Gallery of Art
The latest exhibition at Washington's National Gallery of Art is a resounding testament to the enduring power and mystique of Australian Indigenous art. "The Stars We Do Not See: Australian Indigenous Art" presents nearly 200 works from a period spanning over a century, drawing on the National Gallery of Victoria's collection. This groundbreaking show marks the largest presentation of Aboriginal and Torres Strait Islander art ever exhibited outside Australia.
At its core, the exhibition is an immersive journey through the rich spiritual traditions of Australia's oldest inhabitants. Gulumbu Yunupiŋu, known as "Star Lady," serves as a guiding force behind the title, whose cosmological teachings are reflected in works like "Garak (The Universe)" – abstract compositions that evoke a sense of unity and interconnectedness. The intricate designs on these bark paintings seem to reverberate with an otherworldly energy, transporting viewers to a realm where the boundaries between self and universe dissolve.
One of the exhibition's highlights is the installation "Gäna (Self)" by Nyapanyapa Yunupiŋu, which harnesses the power of traditional Yolŋu cosmology to create an immersive experience. By incorporating bark paintings, hollow log coffins, and choreographed movement, the artist masterfully subverts our expectations, leaving us lost in a sea of meaning.
The show also showcases the work of contemporary artists like Hayley Millar Baker and Amrita Hepi, whose bold explorations of identity, grief, and connection with the universe serve as a powerful counterpoint to traditional Indigenous practices. "Entr'acte" (2023) is a stunning video that distills the human experience into a fleeting, yet profound, moment of transition from rage to grief, while "Scripture for a Smokescreen, Episode 1 – Dolphin House" (2022) offers a fascinating meditation on the intersection of technology and spirituality through its exploration of NASA's ill-fated project to communicate with dolphins.
For an audience largely unfamiliar with Indigenous Australian traditions, this exhibition offers a rare opportunity to engage with a rich cultural heritage that has been overlooked or underrepresented in mainstream art circles. By embracing these works on their own merits, without the weight of preconceptions, we can gain a deeper understanding of the complex relationships between people, land, and the universe.
"The Stars We Do Not See: Australian Indigenous Art" runs at the National Gallery of Art through March 1, 2026. Don't miss this chance to experience one of the most significant exhibitions of its kind in recent history.
The latest exhibition at Washington's National Gallery of Art is a resounding testament to the enduring power and mystique of Australian Indigenous art. "The Stars We Do Not See: Australian Indigenous Art" presents nearly 200 works from a period spanning over a century, drawing on the National Gallery of Victoria's collection. This groundbreaking show marks the largest presentation of Aboriginal and Torres Strait Islander art ever exhibited outside Australia.
At its core, the exhibition is an immersive journey through the rich spiritual traditions of Australia's oldest inhabitants. Gulumbu Yunupiŋu, known as "Star Lady," serves as a guiding force behind the title, whose cosmological teachings are reflected in works like "Garak (The Universe)" – abstract compositions that evoke a sense of unity and interconnectedness. The intricate designs on these bark paintings seem to reverberate with an otherworldly energy, transporting viewers to a realm where the boundaries between self and universe dissolve.
One of the exhibition's highlights is the installation "Gäna (Self)" by Nyapanyapa Yunupiŋu, which harnesses the power of traditional Yolŋu cosmology to create an immersive experience. By incorporating bark paintings, hollow log coffins, and choreographed movement, the artist masterfully subverts our expectations, leaving us lost in a sea of meaning.
The show also showcases the work of contemporary artists like Hayley Millar Baker and Amrita Hepi, whose bold explorations of identity, grief, and connection with the universe serve as a powerful counterpoint to traditional Indigenous practices. "Entr'acte" (2023) is a stunning video that distills the human experience into a fleeting, yet profound, moment of transition from rage to grief, while "Scripture for a Smokescreen, Episode 1 – Dolphin House" (2022) offers a fascinating meditation on the intersection of technology and spirituality through its exploration of NASA's ill-fated project to communicate with dolphins.
For an audience largely unfamiliar with Indigenous Australian traditions, this exhibition offers a rare opportunity to engage with a rich cultural heritage that has been overlooked or underrepresented in mainstream art circles. By embracing these works on their own merits, without the weight of preconceptions, we can gain a deeper understanding of the complex relationships between people, land, and the universe.
"The Stars We Do Not See: Australian Indigenous Art" runs at the National Gallery of Art through March 1, 2026. Don't miss this chance to experience one of the most significant exhibitions of its kind in recent history.