Iain Ballamy: Riversphere Vol 1 review | John Fordham's jazz album of the month

Iain Ballamy's latest solo release, Riversphere Vol 1, embodies the spirit of jazz innovation that has defined his career spanning over four decades. This album marks a significant milestone in Ballamy's discography, showcasing his unique saxophone style and captivating musical ideas that have captivated audiences for years.

Ballamy's journey began in the mid-1980s as part of the influential Loose Tubes ensemble, which combined elements of jazz, swing, vaudeville, improv, and avant-rock to create a distinctive sound. The young saxophonist, along with pianist/composer Django Bates, formed a dynamic duo that skilfully respected classic jazz tradition while pushing its boundaries.

On Riversphere Vol 1, Ballamy reunites with a talented quartet featuring guitarist Rob Luft, bassist Conor Chaplin, and drummer Corrie Dick. The album's title reflects the interplay of musical styles and genres, much like the rivers that flow through different landscapes. The horns and guitar sections seamlessly shift between melodic songlines and raw, note-bending improvisations.

The album features a range of moods and tempos, from the folksy, wistful opening track Harmonique to the dreamy Strange Meeting, which showcases guitarist Rob Luft's versatility. Ballamy also pays homage to his love for Latin jazz and north-Euro ambient music with two Chico Buarque/Jobim songs that warm up the album.

Riversphere Vol 1 is a masterclass in musical dialogue, with each musician bringing their unique voice to the table. The album's production is polished yet unobtrusive, allowing the individual instruments to take center stage.

As exciting as this release is, it also raises questions about Ballamy's next move. Volume 2 is already in the pipeline, and fans can't wait to see what's in store for them. For now, Riversphere Vol 1 stands as a testament to Iain Ballamy's enduring creativity and artistry in jazz.

In other news from this month's releases, keyboardist Craig Taborn teams up with double bassist Thomas Morgan on the latter's Around You Is a Forest (Loveland), creating a captivating soundscape that explores the sonic possibilities of Morgan's innovative Woods instrument. Meanwhile, Tom Ollendorff's Where in the World (Fresh Sound New Talent) offers a thrilling fusion of fast-paced hard-boppish groovers and elegant melodies with inventive improv, showcasing Ollendorff's exceptional guitar work alongside Blue Note's US piano star Aaron Parks.

Lastly, John Taylor's Tramonto (ECM) marks the welcome unveiling of a live recording by his superb 2002 trio, featuring Americans Marc Johnson on bass and Joey Baron on drums. The album offers a poignant tribute to Taylor's iconic studio set Rosslyn, cementing his legacy as one of jazz's most revered pianists.
 
omg did u hear about Iain Ballamy's new solo album Riversphere Vol 1?! 😲 its like the ultimate jazz innovation! i mean, 40 yrs in the game and he still pushing boundaries like crazy 🀯 his collaboration with Rob Luft, Conor Chaplin, and Corrie Dick is fire πŸ”₯ the way they blend horns, guitar, and drums is so tight 🎡 gotta listen to Harmonique and Strange Meeting ASAP 🎢 btw have u checked out Craig Taborn's new album with Thomas Morgan? πŸ€” it sounds like a sonic adventure πŸš€
 
Wow 🎢 Riversphere Vol 1 sounds like a game-changer, I love that Ballamy's still pushing boundaries with his saxophone style and collaborating with talented musicians πŸ’ΌπŸŽΈ Interesting how he's drawing from different musical influences like Latin jazz and ambient music to create something unique πŸ”₯
 
Ugh, sounds like Iain Ballamy is having a good time with his new album release πŸ€’ Riversphere Vol 1 might be a "spirit" of innovation for him, but what about the rest of us who are still trying to pay our bills? πŸ€‘ At least he's not alone in this musical journey... Loose Tubes was a great band back in the day, I guess πŸ‘. And now he's reunited with some other talented musicians, yay πŸŽ‰. But seriously, have you heard about Craig Taborn and Thomas Morgan's new album? It sounds like they're exploring some pretty cool soundscapes on their Woods instrument 🌳. Not sure if that's enough to make me feel better about the state of the world, though 😐
 
I mean come on, Riversphere Vol 1 is alright I guess... Iain Ballamy's been around for like 40 years and he still thinks he's got some tricks up his sleeve? The Loose Tubes were cool and all, but that was ages ago. Now it just feels like more of the same old jazz stuff.

And don't even get me started on the production quality, sounds a bit polished to me πŸ€”. I mean, where's the grit? The edge? It's all just so... refined. Where's the raw emotion?

And Rob Luft's guitar work is okay, I guess... but it's not like he's innovating anything new. He's just playing some chords and calling it a day πŸ’β€β™‚οΈ. And Conor Chaplin's bass playing is forgettable πŸ€·β€β™‚οΈ.

The album's got its moments, I'll give it that. "Harmonique" is a decent opener, but other than that, it's all just meh 🎡.
 
Man I'm loving Riversphere Vol 1 by Iain Ballamy 🀩! He's been killing it in the jazz scene for decades and this latest album is a testament to that. The way he reunites with his talented quartet is pure magic - it's like they're speaking their own language on stage 😎. Rob Luft's guitar work is insane on some of those tracks, and Conor Chaplin's basslines are so smooth 🌊. But what really gets me is how Ballamy weaves together different styles and genres, creating this beautiful tapestry of sound 🎨. It's like he's taking you on a journey through all these different landscapes with Riversphere Vol 1 πŸ’§... anyway can't wait for Volume 2 to drop!
 
I'm thoroughly enamored with Iain Ballamy's Riversphere Vol 1 🎡. His latest release is an exemplary exemplar of jazz innovation, effortlessly navigating the intersection of diverse musical styles and genres. The album's eclecticism is a testament to Ballamy's boundless creativity and his ability to facilitate a rich dialogue between the musicians.

The interplay between Ballamy's saxophone and Rob Luft's guitar is nothing short of captivating πŸ’‘. Their melodic lines expertly navigate the tension between structure and improvisation, yielding a compelling musical experience. The album's dynamic shifts in mood and tempo are a masterclass in nuanced production, allowing each instrument to take center stage while maintaining an unobtrusive sonic texture.

Ballamy's nods to Latin jazz and ambient music serve as a poignant reminder of his eclectic influences 🌴. Meanwhile, the collaboration between Craig Taborn and Thomas Morgan on Around You Is a Forest is a captivating exploration of new sonic possibilities. The release also marks an exciting milestone in Ballamy's career, capping off a remarkable journey that showcases his artistry and commitment to pushing jazz boundaries.

All in all, Riversphere Vol 1 is an outstanding achievement that solidifies Iain Ballamy's status as one of the most visionary saxophonists working today 🌟.
 
"Imagination is the beginning of creation." πŸ’« I'm loving this new release by Iain Ballamy - Riversphere Vol 1 really captures the spirit of innovation in jazz! The way he blends different styles and genres on this album is pure genius. And I gotta say, his reunion with that talented quartet is a match made in heaven 🀩. Can't wait for Volume 2, though...
 
🎸 just listened to Riversphere Vol 1 by Iain Ballamy πŸ•°οΈ so many cool ideas happening all over the place 🌐 love how he blends different styles like jazz, swing & vaudeville πŸ’ƒ it reminds me of Loose Tubes when Iain was young πŸ”₯ Rob Luft's guitar playing on Strange Meeting is insane 🀯 and those Chico Buarque/Jobim tracks are pure nostalgia 😊 what's next for Iain tho? 🎡 Volume 2 can't come soon enough! πŸš€
 
I gotta say, Iain Ballamy is just doing his thing and it's so inspiring to see! 🌊 Riversphere Vol 1 sounds like an amazing album, all that experimentation with different styles and moods... it's like a breath of fresh air in jazz. I mean, who needs boundaries when you can create something as beautiful as this? The way the horns and guitar sections blend together is just magic ✨. And let's not forget those Chico Buarque/Jobim covers - Ballamy knows how to pay homage without being too on-the-nose 🎢.

I love that the album's production lets each instrument shine, it's like a masterclass in balance and restraint. Can't wait for Volume 2! And what's up with all these incredible releases this month? Craig Taborn and Thomas Morgan are killing it with their soundscape on Around You Is a Forest... 🌲 Tom Ollendorff's Where in the World is a wild ride 🎠, and John Taylor's Tramonto is like a warm hug from his 2002 trio. So many talented artists pushing jazz forward - we're living in exciting times! 😊
 
man i'm like totally stoked for iain ballamy's new album riversphere vol 1 🀩 it sounds sooo good he's still pushing the boundaries of jazz just like he did back in loose tubes day, you know when he was with django bates and they were making this crazy fusion sound that blended all these different styles? yeah, that was something special... anyway, this new album is like a masterclass in musical dialogue, each musician brings their own unique voice to the table and it's just so cool to hear rob luftham on guitar, he's got some serious chops 🎸

but what's up with vol 2 already being announced? i mean, i'm excited for the new stuff but can't we just savor this album for a bit first? riversphere vol 1 is like a breath of fresh air, it's so refreshing to hear something that's both melodic and experimental at the same time... and those chico buarque/jobim tracks are pure gold 🎢
 
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