Netflix's latest biopic, "Being Eddie", is a documentary that delves into the life of comedy legend Eddie Murphy. While not his best film or worst, it provides a glimpse into his 40-plus year career and serves as a platform for him to reflect on his experiences.
The documentary begins by showcasing Murphy's lavish lifestyle, including his gothic mansion with a retractable roof. However, he quickly reveals that his daily routine is quite ordinary, spending time with family, watching TV shows like "Ridiculousness", and even preferring to binge-watch bloopers over reruns of his greatest hits.
Murphy's claim to being one of the funniest people in history is reinforced by director Angus Wall, who has worked with other notable comedians such as Dave Chappelle, Chris Rock, and Jerry Seinfeld. These nods to Murphy's comedic prowess come at a time when some of his peers have become increasingly out of touch.
Throughout the documentary, Murphy opens up about his troubled past, including a tumultuous home life on Long Island, where he witnessed his parents fighting as one of his earliest memories. He also discusses his transition from being a hot comedian to a smoldering sex symbol and the media's portrayal of him against Richard Pryor, whom he ultimately directed in the 1989 comedy "Harlem Nights".
Wall uses some armchair psychology to explore Murphy's behavior, such as how paying for the funeral arrangements of famous friends relates to his earlier struggles with loss. However, these discussions sometimes feel forced and lack depth.
The documentary also leaves out several notable milestones in Murphy's life, including a 1997 arrest that raised eyebrows, his 14-day marriage to producer Tracey Edmonds, and his initial rejection of the daughter he fathered with Mel B. The omission of these incidents makes it difficult to view Murphy as a truly nuanced figure.
One of the most puzzling aspects of "Being Eddie" is its treatment of Murphy's return to Saturday Night Live (SNL) after spurning the show for decades. While Murphy credits this moment with prompting him to change his approach, the documentary glosses over the controversy surrounding his departure without providing context or any insight from SNL cast members.
In the end, "Being Eddie" feels like a tease, leaving viewers with more questions than answers about Murphy's life and career. The final act's attempt at closure, where Murphy is presented with ventriloquist dolls made to look like Pryor and Cosby, rings hollow, and one can't help but wonder what it would take for the film to truly deliver.
"Being Eddie" is available now on Netflix, and while it offers some fleeting glimpses into the life of a comedy legend, its shortcomings make it feel more like a publicity stunt than a genuine exploration of Murphy's experiences.
The documentary begins by showcasing Murphy's lavish lifestyle, including his gothic mansion with a retractable roof. However, he quickly reveals that his daily routine is quite ordinary, spending time with family, watching TV shows like "Ridiculousness", and even preferring to binge-watch bloopers over reruns of his greatest hits.
Murphy's claim to being one of the funniest people in history is reinforced by director Angus Wall, who has worked with other notable comedians such as Dave Chappelle, Chris Rock, and Jerry Seinfeld. These nods to Murphy's comedic prowess come at a time when some of his peers have become increasingly out of touch.
Throughout the documentary, Murphy opens up about his troubled past, including a tumultuous home life on Long Island, where he witnessed his parents fighting as one of his earliest memories. He also discusses his transition from being a hot comedian to a smoldering sex symbol and the media's portrayal of him against Richard Pryor, whom he ultimately directed in the 1989 comedy "Harlem Nights".
Wall uses some armchair psychology to explore Murphy's behavior, such as how paying for the funeral arrangements of famous friends relates to his earlier struggles with loss. However, these discussions sometimes feel forced and lack depth.
The documentary also leaves out several notable milestones in Murphy's life, including a 1997 arrest that raised eyebrows, his 14-day marriage to producer Tracey Edmonds, and his initial rejection of the daughter he fathered with Mel B. The omission of these incidents makes it difficult to view Murphy as a truly nuanced figure.
One of the most puzzling aspects of "Being Eddie" is its treatment of Murphy's return to Saturday Night Live (SNL) after spurning the show for decades. While Murphy credits this moment with prompting him to change his approach, the documentary glosses over the controversy surrounding his departure without providing context or any insight from SNL cast members.
In the end, "Being Eddie" feels like a tease, leaving viewers with more questions than answers about Murphy's life and career. The final act's attempt at closure, where Murphy is presented with ventriloquist dolls made to look like Pryor and Cosby, rings hollow, and one can't help but wonder what it would take for the film to truly deliver.
"Being Eddie" is available now on Netflix, and while it offers some fleeting glimpses into the life of a comedy legend, its shortcomings make it feel more like a publicity stunt than a genuine exploration of Murphy's experiences.