Terence Rattigan's play, Man and Boy, returns to the West End this month, offering a rare glimpse into the life and work of one of Britain's most acclaimed playwrights. But what makes this revival so significant? The answer lies not just in its title character's ruthless pursuit of financial salvation, but also in the personal demons that Rattigan himself wrestled with.
At its core, Man and Boy is a father-and-son drama, one that exposes the darker side of family relationships. This theme would prove central to Rattigan's work, drawing inspiration from his own complex bond with his father, Frank. A diplomat forced into resignation after an affair with a Romanian princess, Frank was the antithesis of Terence – a talent for pretence and masked emotion that Rattigan inherited.
Rattigan used his writing as a way to explore these complexities, as seen in plays like Adventure Story, which drew inspiration from his father's love of Alexander the Great. Conversely, Who Is Sylvia? featured a hero who stayed resolutely married, a thinly disguised portrait of his own philandering father. Man and Boy takes this tangled web of relationships a step further, delving into themes of social and political antagonism, as well as the darker side of family dynamics.
But Rattigan's work also frequently touched on another theme: homosexuality. A discreet man in relation to public disclosure, he nonetheless explored these issues in his writing, including an implicitly gay relationship between Alexander the Great and Hephaestion. Even more strikingly, Rattigan saw a shift in public attitudes towards homosexuality three years before the Wolfenden report advocated for decriminalization.
So why does Man and Boy matter today? Audiences will judge for themselves, but there's no escaping the sense that this play contains intimations of more recent scandals. The sins of its titular character – heartless, exploitative, and dishonest – are all too familiar in our current cultural landscape. But it is precisely Rattigan's grasp of the central paradox of drama – that we are drawn to monsters as long as they embody energy and drive – that makes this play so compelling.
Ultimately, Man and Boy is a play about the complex interplay between light and darkness, family dynamics and social politics. It is a testament to Rattigan's skill as a playwright that his work remains so relevant today, offering a nuanced exploration of the human condition that continues to captivate audiences.
At its core, Man and Boy is a father-and-son drama, one that exposes the darker side of family relationships. This theme would prove central to Rattigan's work, drawing inspiration from his own complex bond with his father, Frank. A diplomat forced into resignation after an affair with a Romanian princess, Frank was the antithesis of Terence – a talent for pretence and masked emotion that Rattigan inherited.
Rattigan used his writing as a way to explore these complexities, as seen in plays like Adventure Story, which drew inspiration from his father's love of Alexander the Great. Conversely, Who Is Sylvia? featured a hero who stayed resolutely married, a thinly disguised portrait of his own philandering father. Man and Boy takes this tangled web of relationships a step further, delving into themes of social and political antagonism, as well as the darker side of family dynamics.
But Rattigan's work also frequently touched on another theme: homosexuality. A discreet man in relation to public disclosure, he nonetheless explored these issues in his writing, including an implicitly gay relationship between Alexander the Great and Hephaestion. Even more strikingly, Rattigan saw a shift in public attitudes towards homosexuality three years before the Wolfenden report advocated for decriminalization.
So why does Man and Boy matter today? Audiences will judge for themselves, but there's no escaping the sense that this play contains intimations of more recent scandals. The sins of its titular character – heartless, exploitative, and dishonest – are all too familiar in our current cultural landscape. But it is precisely Rattigan's grasp of the central paradox of drama – that we are drawn to monsters as long as they embody energy and drive – that makes this play so compelling.
Ultimately, Man and Boy is a play about the complex interplay between light and darkness, family dynamics and social politics. It is a testament to Rattigan's skill as a playwright that his work remains so relevant today, offering a nuanced exploration of the human condition that continues to captivate audiences.