Elizabeth McCracken's A Long Game is a breath of fresh air in the world of craft books and writing manuals. The novelist, memoirist, and former Iowa Writers' Workshop tutor has come late to the party, but with a vengeance that will undoubtedly cause some readers to spit out their coffee or spill their cocktail. Her opening line, "Nobody knows how to write a book," sets the tone for a candid and unapologetic exploration of the writing process.
What's striking about McCracken's approach is her willingness to buck the conventional wisdom that has dominated creative writing workshops for decades. Gone are the days of chipper, cheerleaderish encouragement and self-help platitudes like "Show, don't tell" or "Write what you know." Instead, McCracken delivers a dose of reality that will no doubt alienate some readers who have grown accustomed to this type of advice.
For McCracken, writing is not about following a set of rules or compiling a list of dos and don'ts. It's about embracing the messy, often painful process of creation, where the writer must navigate their own insecurities, biases, and limitations. In other words, it's about being honest with oneself and the art form.
One of the most refreshing aspects of A Long Game is McCracken's refusal to offer easy answers or solutions. She knows that writing every day, for example, can be a recipe for burnout if not approached with self-awareness and discipline. Instead, she reveals her own approach, which involves harnessing the power of self-loathing to fuel her productivity.
MCCracken's unflinching candor will undoubtedly resonate with writers who have grown tired of the usual workshop platitudes and are ready for a more authentic, less sanitized conversation about the writing process. For those who need a dose of reality, A Long Game is an antidote that may cause some discomfort, but ultimately, it will free them from the constraints of conventional wisdom.
Ultimately, McCracken's A Long Game is not just a craft book or a manual for writers; it's a clarion call to approach writing with authenticity, vulnerability, and a willingness to take risks. It's an invitation to reexamine our assumptions about the creative process and to embrace the messy, often exhilarating experience of bringing a story to life.
What's striking about McCracken's approach is her willingness to buck the conventional wisdom that has dominated creative writing workshops for decades. Gone are the days of chipper, cheerleaderish encouragement and self-help platitudes like "Show, don't tell" or "Write what you know." Instead, McCracken delivers a dose of reality that will no doubt alienate some readers who have grown accustomed to this type of advice.
For McCracken, writing is not about following a set of rules or compiling a list of dos and don'ts. It's about embracing the messy, often painful process of creation, where the writer must navigate their own insecurities, biases, and limitations. In other words, it's about being honest with oneself and the art form.
One of the most refreshing aspects of A Long Game is McCracken's refusal to offer easy answers or solutions. She knows that writing every day, for example, can be a recipe for burnout if not approached with self-awareness and discipline. Instead, she reveals her own approach, which involves harnessing the power of self-loathing to fuel her productivity.
MCCracken's unflinching candor will undoubtedly resonate with writers who have grown tired of the usual workshop platitudes and are ready for a more authentic, less sanitized conversation about the writing process. For those who need a dose of reality, A Long Game is an antidote that may cause some discomfort, but ultimately, it will free them from the constraints of conventional wisdom.
Ultimately, McCracken's A Long Game is not just a craft book or a manual for writers; it's a clarion call to approach writing with authenticity, vulnerability, and a willingness to take risks. It's an invitation to reexamine our assumptions about the creative process and to embrace the messy, often exhilarating experience of bringing a story to life.